Below are excerpts of reviews about the Daedalus Quartet. For a full press packet, please go to our manager's site, www.besenarts.com/daedalus.

“magnificent performance”
" ‘You listen to four sensible persons conversing, you profit from their discourse and you get to know the peculiar properties of their several instruments.'  Evidently Goethe was an aficionado of the string quartet and he would surely have appreciated the Daedalus Quartet's excellent Musica Victoria recital:  Here, indeed, were four ‘sensible' (not to mention supremely talented) persons, whose musical conversations certainly profited Saturday night's large and enthusiastic audience.  Rarely have I heard a quartet so well-balanced in every regard.  ... For this listener, the Daedalus's magnificent performance of the Ravel Quartet was the highlight of their program.  The opening movement's mercurial delights reminded me of watching a sunlit landscape as clouds pass over it: a perspective which shifts continuously, so that the underlying structure is forever just eluding one's grasp.  The Ravel may have been the highlight, but it was simply one among many.  The evening opened with Mozart's Quartet K. 428, one of the six dedicated to (and mightily influenced by) Haydn.  The silky-smooth opening chords which almost seemed to float into one's consciousness, superb balance and complete unanimity of expression were indicators of what was to come.  Which is not to say that the quartet offered us a sanitized Mozart: the vivacious minuet was quite robust in places, the slow movement simply sang, and the finale combined poise and exuberance." Times Colonist (Victoria, British Columbia)


“standout playing”
"Daedalus has an especially sensitive way of revealing the silences in the music. Even one-beat rests become like moments where thoughts can be collected before a fresh statement can be made. It feels as though the music is being both composed and played in the moment. A fine talent, indeed. ... Standout playing." Edmonton Journal


“fresh, imaginative phrasing”
"A promising group with accurate pitch control and a deep-seated dedication supported by a keen sense of ensemble.  In the Mozart, their flexible artistry was splendid, with all four players contributing fresh, imaginative phrasing."  Ongaku No Tomo (Tokyo)


“full and warm in tone”
"Full and warm in tone, always clear, and vigorous in the big climactic passages." American Record Guide


“a bright future”
"They have the seriousness of purpose and the musicality needed for a bright future." The Strad


“sheer musicality”
“Whether addressing Beethoven, Mendelssohn or Hindemith, there was a combination of stylistic awareness, technical polish and sheer musicality that could hardly be ignored. … In the hands of such musicians, the future of chamber music looks sunshine bright.” Toronto Star


“well-blended sound”
“After a mere three years together, this ensemble has honed a big, well-blended sound that for most groups matures only after a decade or two.” The Birmingham News


“transporting clarity and grace”
"Most of all, the quartet deserves recognition for a performance that embodied the unsettled quality of the music while still emphasizing focus and momentum. ... The evening began with a bang, with a searing performance of Haydn's G major quartet, Op.77, No.1. The Daedalus captured both the flash and substance of the piece, with high energy and tempos that were often breathless but still felt organic. ... Transporting clarity and grace." San Francisco Classical Voice


“entrancement”
“Brought freshly and profoundly to life by the Daedalus players, the marvels of Beethoven’s Quartet Op. 131 caught us unaware and touched us to the quick yet again. The entrancement was complete. … The measure of this concert was how often and how deeply it moved me by the magnificence of the music and by the powerful perceptions brought to it by the Daedalus Quartet. At a time when greed flourishes, terrorists rove the world and threats of war are uttered, such enlightened music-making can only give us hope that sanity will prevail.” Toronto Globe and Mail


© 2005 Daedalus Quartet